Archive

Monthly Archives: January 2007

Ville Lenkkeri

brain.jpg

Ville Lenkkeri photographs settings, such as dioramas in natural history museums or murals in waiting rooms, so that his works move inside the disturbing, unfocused zone between reality and fiction. The presence of a figure, such as a museum guard, for example, heightens the ambivalent character of the photographs.

diorama.jpg

Sophie Ristelhueber: FAIT, 1992
seventy-one chromogenic color prints, exhibition copy, 39 1/2 x 51 1/4″ each.

Details from the complete installation :

photo3.JPG

photo1.JPG

firephoto.JPG

image1_500.jpg

In 1977, photographers Larry Sultan (USA) and Mike Mandel (USA) published a book of photographs entitled Evidence. Accompanied by an exhibition in the same year at the San Francisco Museum of Modern Art, this project was the culmination of a three-year search through the files and archives of over one hundred American government agencies, educational institutions, and corporations, such as the Bechtel Corporation, General Atomic Company, Jet Propulsion Laboratories, the San Jose Police Department and the United States Department of the Interior.

The original pictures Sultan and Mandel collected were made as documents and objective records of activities and situations: the scenes of crimes, aeronautical engineering tests, industrial experiments, among other subjects. Sifting through some two million images, Mandel and Sultan assembled a careful sequence of 59 pictures.

Evidence is, as the artists stated back in the 1970s, ‘a poetic exploration upon the restructuring of imagery.’ Pictures that once served a functional purpose in the world are, in this exhibition, stripped of their explanatory captions and institutional contexts, carefully sequenced, and presented as expressive artefacts. In this new setting, the images testify to cryptic and dubious rituals, to a culture of dehumanising, ambiguous institutional values, to mid-century industry regarded as a religion.

Although the exhibition carefully articulates the reading of the photographs in terms of their ‘documentary’ origins, the photographs are reproduced without captions identifying specific images or their sources. The photographs here serve as answers to questions long ago abandoned. Faced with a world of mysterious events and unfathomable activities, we are provided with only the sequential narrative of the book and are actively required to participate in creating its meaning.

Photographs by Larry Sultan and Mike Mandel. Text by Sandra Phillips and Robert Forth
Distributed Art Publishers’, New York, 2003. 108 pp., 25 black-and-white and 61 duotone illustrations, 9¾x9″.

image13_720.jpg

image12.jpg

image9.jpg

%d bloggers like this: